We spent all that time in Central America and Mexico, but also in Australia. Nick: Yeah, there’s those trips you take that are a bit of reward and allow you to just chill. This album wouldn’t have been what is it without those trips. That’s how we did a bunch of One Good Shirt Had Us All Fly, went over to LA in the initial phase to gather some beats and then traveled through Central America. With every new album we make, we always like to take time to reboot after the drain of the previous album cycle. We can still do what we do anywhere around the world. Jimmy: Basically, there’s not too much keeping us in Sydney. Is travelling a key part of the creative process? Saying that, you guys are hitting the road a bunch in the coming month. Not just to link up after it comes out, but to give people an element of exclusivity. Jimmy: It makes people feel they’re a part of it too. It’s a slap in the face that reminds you why you’re doing it. When our morale isn’t high during the album making process and we go to play a show, there’s that moment afterwards where people come up to you and back the vibe. We want to bring in the people who listen to our music to build vibe for the project. When the opportunity came on our tour with Illy, we wanted to play our album to fans. That’s another reason behind One Day Sundays, to bring people together and kick it with the community. For example, when we finish our shows, we always stand at the merch stand until everyone leaves. Nick: We’ve always wanted to do something where we can interact and kick it with our fans.
#The syndicate project merch free
It’s a key part of the process.Īre the Pull Up Parties that you’ve just done, where anyone can turn up to a free album listening party, a further embodiment of that? Getting that feedback on an intimate level? Then you’re testing these songs out on the road and if they’re not going to translate well live you may need to do something else. You need to have that somewhere in the back of your mind when you’re creating. Jimmy: Especially in this current climate where if you’re making money off music, you’re making money off touring. Being at these parties every month in different cities and seeing how people react to different styles of music has definitely had an impact on how we made the album. The events and parties we’ve been doing as One Day have really grown and as they’ve grown they’ve really influenced our music in a sort of way. Nick: One Day Sundays is certainly something that’s happened over the past few years whilst we were making this record. Have they impacted the way you’ve made your album? One Day Sundays (regular parties that Spit Syndicate’s crew hosts across Australia) are another side thing that you guys do which is a little more orientated towards music. We aim to serve platforms, filmmakers, partners, and our viewers themselves.A post shared by jimmynice on at 10:20pm PDT Rather than serving a single consumer, Story Syndicate aligns the interests of many stakeholders as part of its philosophy. As expert facilitators, we provide filmmakers the creative and operational infrastructure they need, while also using our own creative pipeline to match ideas we love with emerging filmmakers. Our core values are those that have driven Dan’s and Liz’s careers for the 20+ years they’ve been working as storytellers: creator-friendly, platform-friendly, humanistic, diverse, and relentlessly focused on quality. We are committed to nurturing and executing ambitious ideas and doing so with sincerity, transparency, and artistry. Founded in 2019 by Academy Award®- and Emmy Award®-winning filmmakers Liz Garbus and Dan Cogan in the light of an evolving media landscape, Story Syndicate provides a home for talented filmmakers, producers, journalists, thinkers, and artists to create innovative, ambitious, and elevated visual content. Story Syndicate is a New York-based film and television production company devoted to premium nonfiction and scripted content.
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